A SCHOLARLY BOOK REPOSITORY
Walking a forest trail in Costa Rica, a visitor might be struck by the sight of an iridescent blue morpho butterfly fluttering ahead in the filtered daylight, or an enormous silk moth, as magnificently patterned and subtly colored as a Persian carpet, only emerging to fly at night. Elsewhere, vivid yellow and orange sulphur butterflies flock to puddles to sip the concentrated minerals. Such is the dazzling variety of the butterflies and moths unique to this region.
Gathered by biologists Daniel Janzen and Winifred Hallwachs in the forests of northwestern Costa Rica, 100 tropical butterflies and moths represent the diversity in large-format photographs by Jeffrey Miller that document the dizzying variety of shapes, colors, and markings. The photographs are accompanied by species accounts and images of the corresponding caterpillar. The authors recount these insects' feats of mimicry and migration, lift the veil on their courtship, and show how the new technology of DNA barcoding is changing the picture of Lepidopteran biodiversity.
The authors also tell the success story of Area de Conservacion Guanacaste, where the long-term work of Janzen and Hallwachs, a team of caterpillar collectors, and the participation of neighboring farming communities has deepened understanding of Costa Rica's Lepidoptera and has brought about advances in restoration ecology of tropical habitats, biodiversity prospecting, biotechnology, and ecotourism development.
Every bright monarch butterfly or striking luna moth started out in a far subtler form of nature's mosaic, a humble caterpillar. It is this early stage of life--crafted by natural selection into machines for converting a vast array of plant matter, mostly leaves, into the beautiful adults that have captivated humans for millennia--that this book brings to dazzling light. Unobtrusive as they go about their business, these caterpillars are rarely seen by humans--and are virtually never seen from the perspective presented in this sumptuous volume: photographed in extreme close-ups at a resolution that captures in sharp detail the exquisite colors and features eluding the casual observer.
Gathered by biologists Daniel Janzen, Winifred Hallwachs, and Jeffrey Miller in the tropical dry forests, cloud forests, and rain forests of northwestern Costa Rica, over 100 large-format photographs of caterpillars document the dizzying variety of shapes, vivid colors, and cryptic markings among these species. The pictures are accompanied by capsule species accounts--revealing life histories as diverse as their forms--and magnificent images of the adult butterfly or moth. Throughout, the authors convey an intimate sense of these creatures--studied over twenty-five years--by focusing on how their features figure in their behavior and ecology, and on the beauty of nature in this life stage, as well as the nature of that beauty.
The story of the caterpillars is also the success story of Area de Conservacion Guanacaste--where the long-term work of Janzen and Hallwachs, and a team of gusaneros (caterpillar collectors and rearers), along with the participation of neighboring farming communities, has deepened understanding of Costa Rica's Lepidoptera and has brought about advances in restoration ecology of tropical habitats, biodiversity prospecting, biological control of pests, biotechnology, residents' bioliteracy, and ecotourism development.
Through lively anecdotes, colorful pictures, and delicious recipes, Jeff Miller explores the meteoric rise of the avocado, from its coevolution with the megaherbivores of the Pleistocene to its acceptance by the Spanish conquistadors in Mexico, to its current dominance of food consumers’ imaginations.
Mark Twain and Money: Language, Capital, and Culture focuses on an overlooked feature of the story of one of America’s most celebrated writers. Investigating Samuel Clemens’s often conflicting but insightful views on the roles of money in American culture and identity, this collection of essays shows how his fascination with the complexity of nineteenth-century economics informs much of Mark Twain’s writing.
While most readers are familiar with Mark Twain the worldly wise writer, fewer are acquainted with Samuel Clemens the avid businessman. Throughout his life, he sought to strike it rich, whether mining for silver in Nevada, founding his own publishing company, or staking out ownership in the Paige typesetting machine. He was ever on the lookout for investment schemes and was intrigued by inventions, his own and those of others, that he imagined would net a windfall. Conventional wisdom has held that Clemens’s obsession with business and material wealth hindered his ability to write more and better books. However, this perspective fails to recognize how his interest in economics served as a rich source of inspiration for his literary creativity and is inseparable from his achievements as a writer. In fact, without this preoccupation with monetary success, Henry B. Wonham and Lawrence Howe argue, Twain’s writing would lack an important connection to a cornerstone of American culture.
The contributors to this volume examine a variety of topics, such as a Clemens family myth of vast landholdings, Clemens’s strategies for protecting the Mark Twain brand, his insights into rapidly evolving nineteenth-century financial practices, the persistence of patronage in the literary marketplace, the association of manhood and monetary success, Clemens’s attitude and actions toward poverty, his response to the pains of bankruptcy through writing, and the intersection of racial identity and economics in American culture. These illuminating essays show how pecuniary matters invigorate a wide range of Twain’s writing from The Gilded Age, Roughing It,The Adventures of Tom Sawyer, The Prince and the Pauper, and A Connecticut Yankee in King Arthur’s Court, to later stories like “The £1,000,000 Banknote” and the Autobiography.
The first comprehensive study of the influence British programming had on American television.
The first comprehensive study of the influence British programming had on American television.
Between Emma Peel and the Ministry of Silly Walks, British television had a significant impact on American popular culture in the 1960s and 1970s. In Something Completely Different, Jeffrey Miller offers the first comprehensive study of British programming on American television, discussing why the American networks imported such series as The Avengers and Monty Python’s Flying Circus; how American audiences received these uniquely British shows; and how the shows’ success reshaped American television.Miller’s lively analysis covers three genres: spy shows, costume dramas, and sketch comedies. In addition to providing his close readings of the series themselves, Miller considers the networks’ packaging of the programs for American viewers and the influences that led to their acceptance, including the American television industry’s search for new advertising revenue and the creation of PBS.Something Completely Different concludes with a discussion of the American programs and genres that owed their existence to British progenitors. Miller convincingly argues that much of what came to define American television by 1980 was in fact British in origin, a contention that casts a new light on traditional discussions of American cultural imperialism.ISBN 0-8166-3240-5 Cloth £31.00 $44.95xxISBN 0-8166-3241-3 Paper £12.50 $17.95x208 Pages 17 black-and-white photos 5 7/8 x 9 JanuaryTranslation inquiries: University of Minnesota PressREADERS
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